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The Horror Writers Association, on behalf of its writer members, stands in
support of the Writers Guild of America strike in seeking appropriate
compensation for writers when their work is distributed digitally, either
via DVD or Internet downloads. Although HWA is not a union, it is an
organization of writers that advocates for authors’ rights. Writers Guild of
America and its demands fall solidly into this category. All writers will be
affected by the outcome of this strike, and we stand in solidarity,
resisting those who seek to distribute our work on the Internet, DVD, or any
format without fair compensation.

Deborah LeBlanc, HWA President

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THE HARROWING

Author   Alexandra Sokoloff

ISBN  0-312-35749-4

Release date  November 1, 2007

Five troubled college students left alone on their isolated campus over a stormy Thanksgiving weekend must confront their own demons and a mysterious presence - that may or may not be real.

Learn more at www.alexandrasokoloff.com

By Steve Vernon
Gray Friars
ISBN-10: 0955092280
ISBN-13: 978-0955092282
Release date: September 2007

Two brand new novellas from Nova Scotia’s hardest working horror writer Steve Vernon, “Trolling Lures” set in his home stopping grounds of rural Nova Scotia and “Hammurabi Road” taking place in his birth place of Northern Ontario.  Released in hardcover signed and limited and paperback limited, with an introduction by Norman Partridge.

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By David Niall Wilson
Bloodletting Books
ISBN-13: 978-0-9768531-7-6
September 2007

An ancient evil has risen from the ashes of a ruined church. One young man stands in his father’s footsteps between that evil, the mountain where he was born, and the future.

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By Derek Clendening

Publisher: Sams Dot Publishing

ISBN: NA 

Description: Blood Verse: The Vampire As Poet takes you on an E-ticket ride through the eyes of a vampire. You’ll want a side order of garlic to much on while you read this one.

 

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by Mary SanGiovanni

Leisure Books

ISBN-10: 0843959746
ISBN-13: 978-0843959741
Release date: 8/28/97

“What is the Hollower? At times it can look like a man in a black coat and a black hat. But it’s definitely not a man. It’s not human at all. Its sole purpose is to stalk, to torment and to drive its victims to their deaths. It can sense each victim’s weaknesses, change its appearance and strike however it will hurt the most, physically…and mentally. Dave Kohlar is a man racked with guilt, doubt and worry. The perfect prey. He’s about to learn exactly what the Hollower is—and how it feeds.”

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The Science of Stephen King: From Carrie to Cell, The Terrifying Truth Behind the Horror Master’s Fiction

By Robert Weinberg and Lois H. Gresh

Publisher: Wiley

ISBN-10: 0471782475

ISBN-13: 978-0471782476

Release Date: August 31, 2007

 

Advance Praise From Publishers Weekly
Human characters, not science, are the heart of King’s fiction, but Gresh and Weinberg (The Science of James Bond) use these tales as a jumping-off point in their latest pop-sci tie-in. In Carrie, Firestarter and The Dead Zone,mayhem arises from the use of psychic abilities, so the authors explore not only the history of such powers in fiction, but also human consciousness and modern neuroscience. The killer vehicles of King’s story Trucks are compared to Mary Shelley’s Frankenstein, rounded out with a short discussion of artificial intelligence. Dreamcatcher and The Tommyknockers lead to a look at the possibility of intelligent life elsewhere, from flying-saucer paranoia to the search for extraterrestrial intelligence. Discussion of The Stand includes a look at fictional and real plagues, while the parallel worlds and alternate histories at the heart of The Dark Tower bring up theoretical physics from relativity to wormholes. The truths revealed are hardly terrifying, but the book is an excellent introduction to both popular science and science fiction themes. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

‘What a treasure house is this book! Robots, space aliens, Einstein, black holes, time travel—these themes, and much more, from Stephen King’s amazing books are opened up like toychests. It’s tremendous fun, entirely educational, and a great tribute to King.’
—Peter Straub

‘A fun, fun read.’
—F. Paul Wilson

‘The Science of Stephen King appeals to both the scientist and the longtime reader of Stephen King in me. Gresh and Weinberg use concepts from King’s fiction as launching pads for in-depth explorations of concepts as diverse as ESP, pyrokinesis, time travel, artificial intelligence, quantum chemistry, alternate realities, string theory, and the possibility that we’ll be visited by aliens or that we’ll face a global pandemic. Much of what Stephen King writes about in his novels is closer to reality than you might think.’
—Bev Vincent, Ph.D., author of The Road to the Dark Tower


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HWA member Tom Piccirilli lives in Colorado where, besides writing, he spends an inordinate amount of time watching trash cult films and reading Gold Medal classic noir and hardboiled novels. He’s a fan of Asian cinema, especially horror movies, pinky violence, and samurai flicks. He also likes walking his dogs around the neighborhood. Are you starting to get the hint that he doesn’t have a particularly active social life? Well to heck with you, buddy, yours isn’t much better. Give him any static and he’ll smack you in the mush, dig? Tom also enjoys making new friends. He’s the author of seventeen novels including The Midnight Road, A Choir of Ill Children, and Headstone City. He’s a four-time winner of the Bram Stoker Award and a final nominee for the World Fantasy Award and the International Thriller Writers Award. And, as you will see, one heck of an interesting writer.

 

How did you start writing?

The need to fantasize has always been with me. Like most writers I think I got the bug when I was very young and finally decided to take a stab at it in my teens. I wanted to somehow become a part of what I felt was the overwhelming profound grandness of literature. I’d scribble away in a marble notebook during lunch or study hall and write stories about an adult world I was barely a part of. It’s no wonder I eventually fell into writing fantasy. When you’re fifteen and your experiences are vastly limited, it’s probably easier to imagine your own world than write with any authenticity about the real one.

Most influential work?

Quite possibly Jim Thompson’s The Killer Inside Me. Although much of Thompson’s work has been overly lauded in the past couple decades, Killer reamins a benchmark in the gray area between noir and psychological horror. It’s a brutal examination of a clever killer driven to commit heinous acts all the while disguised as a bumbling deputy sheriff. The first time I read it the novel opened up a whole new world of dark literature for me, and in subsequent rereadings the book still hasn’t lost any of its power for me.

Which of your works is your favorite and why?

Probably THE DEAD LETTERS. It’s the novel where I managed to fuse nearly all the themes that comprise my books and stories taken as a body of work. It’s got touches of horror, crime, psychological suspense, hardboiled full-throttle asskicking. It’s the novel where I bridged the atmosphere of terror with that of a thriller, and a narrative drive of a noir/mystery storyline. Like most writers I love reading in many genres. I’ve written novels in many genres, but in TDL, I think I managed to take my strengths from across the board and blend them together into something that has its very own flavor.

What is your most recent novel about?

THE MIDNIGHT ROAD is suspense novel with some (possibly) supernatural touches along the way. It’s about a Child Protective Services investigator who during the course of an investigation runs into some violent and deadly folks. He’s involved in a car crash, dies, is revived, and from therein out winds up in a cat-and-mouse game with a killer. He’s also haunted by a dead talking ghost dog who enjoys Betty Grable movies.

What is coming up next for you?

I have two novels due out early in ‘08, a straight-up crime novel THE COLD SPOT from Bantam, and HELLBOY: EMERALD HELL from Dark Horse.

What was it like working with such an iconic character as Hellboy?

Right from the start Mike Mignola, creator of Hellboy and all-around Big Kahuna at Dark Horse, said that he didn’t expect me to write a Hellboy novel so much as he expected HB to appear in a Piccirilli novel. That allowed me a lot of play, bringing in some themes and elements I’ve toyed around with before and dropping Hellboy right in the middle of it all. It’s such an interesting character and applying him to a world where I’ve never seen him run rampant in before really was a great deal of fun.


What attracts you to the horror genre?

The world is so huge and vast, and our understanding of it so limited, that I’m taken with the thrill of the idea of what lies beyond our comprehension. Of the unknown. And as we all realize, what’s unknown is often feared. To question and be curious about what we don’t understand naturally leads us down the path to terror. The fight or flight response is the first and most inherent building block to our psyches, so if you’re really interested about what makes us human, you need to go right back there to those deepest feelings. The drives that make us run, and those that make us stand up and fight against what frightens us.

Many of your works also have a noir element - care to talk about what drives your interest there?

I think noir fiction is probably the most understandable form of dark literature from an honest, emotional point-of-view. Noir generally deals with good men led down some dark path and are unwilling or incapable of turning back even though they know it might very well lead to their own demise. I think that’s the essence of my horror and my crime work–it’s not so much good people caught up in terrible events as it is how these terrible events bring out the worst in my characters. Their traumas, flaws, fears, angers. And it’s from that emotional context that I try to tell my stories. It’s what I find most interesting about dark literature–not the blood and guts or the horrors or the good vs. evil tango, but the idea that we all have certain ineradicable character flaws which are always waiting to lead us to our doom.

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To learn more, check out his official website, Epitaphs

 

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The Horror Writers Association announced today that award-winning author Jeff Strand will be the emcee for the 2008 Bram Stoker Awards Banquet to be held in conjunction with World Horror Convention 2008 in Salt Lake City, Utah.

Deborah LeBlanc, HWA president, said, “Jeff is a perfect choice for emcee. He’s talented and funny and sure to make the awards banquet an evening everyone will remember for a long time.”

Strand is the author of Pressure, The Sinister Mr. Corpse, Casket for Sale (Only Used Once) and many other novels and short stories. His novel Pressure was a Stoker nominee in 2007.

WHC 2008 will be held from March 27-30 at the Radisson Hotel Salt Lake City Downtown. Membership is $135 if paid before Oct. 31, 2007. The cost for the March 29 Stoker banquet is $52; tickets will be on sale soon at the convention Web site.

For more information on the convention, visit www.whc2008.org.

For more information on the HWA, visit www.horror.org.

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QUESTION: Favorite writing quote?

ANSWER: “Tell the story that you most desperately want to read.” –Susan Isaacs

QUESTION: How did you start writing?

ANSWER: I’ve always written since I could hold a pencil; but I started selling in college. I figured if I was pulling good grades in journalism classes then I should logically be able to sell to the mainstream magazine market. After all, we’d been told time and again by our professors that the average reading level of newspapers was sixth grade, and ninth grade for magazines. I was writing A-level papers in college. So I took a shot. I also used the advice of ‘write what you know’, and as I’d been doing martial arts since I was six I pitched an article about that. It sold, and off I went. I sold my first book (a martial arts textbook) in 1991. Since then I’ve sold over 1000 articles, three times that many column entries, seventeen nonfiction books, six novels, two plays, as well as a grab-bag of other stuff, like rock n roll lyrics, poetry, greeting card text, package inserts…you name it. I’ll try anything if it involves writing.

QUESTION: Who are some of your favorite authors?

ANSWER: That’s a long answer because I read a lot of different genres and I read a hell of a lot of books. My must-read list is a mixed bag of horror, thrillers, and crime fiction… I read Joe Lansdale, John Connolly, Lee Child, Ken Bruen, F. Paul Wilson, Peter Straub, John Lutz, Randy Wayne White, Stephen King, Robert McCammon, Brian Keene, Gary Braunbeck, Scott Nicholson, Peter David, Yvonne Navarro…the list goes on and on. Lots of stuff by the newer generation, too, like Sarah Langan, Nate Kenyon, Alaexandra Sokoloff, Kaelan Patrick Burke, Bob Fingerman. I’m forgetting dozens of folks, but really…there’s such an amazing number of great writers in the genres I read, for both long and short fiction.

QUESTION: Most influential work?

ANSWER: There are two. I Am Legend by Richard Matheson and Something Wicked This Way Comes. As a very young teen I had the chance to meet with both authors and they sat me down and explained writing and the process of creative thought as they saw it. These two events were life changing for me. I have the signed copies of the books they gave me, and I’ve read Legend well over a dozen times; and I’ve read Something Wicked every Halloween since 1973.

QUESTION: Which of your works is your favorite and why?

ANSWER: I have two answers to that. The simplest and truest answer is: “The book I’m currently writing.” I’m always passionate about what I’m doing at the moment, and I feel that my writing, especially in fiction, is evolving. But if I had to pick one completed book, it would be the last of the Pine Deep novels, Bad Moon Rising, which wraps up the trilogy begun with Ghost Road Blues. That third book is one huge, rolling action story with my heroes up against a whole army of vampires and zombies. I had one hell of a good time writing it.

QUESTION: Advice to beginning writers?

ANSWER: Yeah, don’t revise until you finish a complete first draft. Ever. It’s crucial to stay in ‘storyteller’ mind until the whole story is out; then go back and work on languaging and all of the other craft elements. But get the story out first.

QUESTION: What is your most recent novel about?

ANSWER: Dead Man’s Song is the sequel to Ghost Road Blues, and it’s a different kind of book than the first one. Ghost Road Blues was a chase story –each of the characters in that story were hunting for something; Dead Man’s Song is more of an unraveling mystery as the characters begin looking forward (and backward thirty years) to try and understand what’s happening in the town. It’s a more overtly supernatural book than the first one, but it’s more character driven, with an emphasis on exploring and deepening the relationships between the characters. The middle book of a trilogy is always a different book than the first or last because action is less important than story; but it does have quite a lot of action and some really creepy moments.

QUESTION: What is coming up next for you?

ANSWER: I have a new nonfic book out this month: The Cryptopedia: A Dictionary of the Weird, Strange and Downright Bizarre (Citadel Press), which is a dictionary of the occult and paranormal that I co-wrote with fellow HWA member David Kramer. I’m also writing two books. I’m wrapping up Zombie CSU: The Forensic Science of the Living Dead, which is a nonfic pop-culture book that speculates on how forensics and law enforcement would respond to a zombie crisis; and I’m also writing a bio-terrorism novel, Patient Zero, which will kick off a new series for me to be published by St. Martins Press.

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